Mute

Pole: Tempus (Pink) [2 Vinyl LP]

Widely regarded as one of their finest performances, even by the band members themselves, this concert took place at the Roman Théâtre Antique in Arles. The lineup consisted of the core four members: Schmidt, Michael Karoli, Jaki Liebezeit and Holger Czukay. The band played as part of a festival that included other artists such as Nico and Kevin Ayres. The recording was unearthed from the Spoon Records vaults, after long only existing through the stories of those who were there. To celebrate its first release, it feels only fitting that the sleeve notes include first-hand accounts from people who attended the show. As with the rest of the series, this release captures the unique nature of Can's onstage improvisations. Every show was different, and these recordings offer a fresh look at a band whose creative process never truly finished.

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'Tempus' is a smart, considered album that works conceptually because Betke is able to reference his past without aping or repeating himself. The early album tracks are more cautious in their approach, helping to reconcile the past and present: opener 'Cenote' for example submerges Betke's sizzling white noise percussion almost completely, hinting at the album's jazz influences without being too forceful. 'Alp' is far more direct; Betke's bass is separated from its '70s dub template and oozed into bizarre jazz/exotica zones alongside clipped electric piano fades and freeform, hollow drum hits. On 'Stechmück' we get the full reveal, as Betke integrates the logic of his genesis, using a malfunctioning Minimoog instead of his namesake fritzed Waldorf 4-Pole filter. The dying, detuned synth tones speak directly to Betke's past, underpinning his fine-ground dub backdrop.

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